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            <url>
                        <loc>https://countercurrentmag.com/interviews-1</loc>
            
            
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            <url>
                        <loc>https://countercurrentmag.com/interviews</loc>
            
            
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            <url>
                        <loc>https://countercurrentmag.com/tutu-gallery-1</loc>
            
            
            <lastmod>2026-03-27T03:05:54+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2373332027975082389961095613980/Installation-view--when-held-properly---Huidi-Xiang--2023.-Image-courtesy-Huidi-Xiang-and-the-gallery.jpeg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;when held properly,&lt;/i&gt;, Huidi Xiang, 2023. Image courtesy of Huidi Xiang and Tutu Gallery</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2373332027938188901813676510748/Installation-view--Seal-the-Fog--Yulin-Gu---Sha-Luo.-Image-courtesy-Yulin-Gu-and-the-gallery.jpeg</image:loc>
                                            <image:caption> Installation view, &lt;i&gt;Seal the Fog&lt;/i&gt;, Yulin Gu and Sha Luo, 2023. Image courtesy of Yulin Gu and Tutu Gallery&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/N2373332027901295413666257407516/Installation-view--Gentle-Mist--curated-by-Seung-Jun-Lee-and-Sha-Luo--2024.-Image-courtesy-Sha-Luo-and-the-gallery_s.jpg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Gentle Mist&lt;/i&gt;, curated by Seung Jun Lee and Sha Luo, 2024. Image courtesy of Sha Luo and Tutu Gallery</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2373332027864401925518838304284/Installation-view--Bandaged-Moments--curated-by-Xiaojing-Zhu--2024.-Image-courtesy-of-the-gallery.jpeg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Bandaged Moments&lt;/i&gt;, curated by Xiaojing Zhu, 2024. Image courtesy of Tutu Gallery</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2373332027845955181445128752668/Installation-view--All-Mine--You-Have-to-Be--Rhea-In---Kelsey-Tynik--2019.-Image-courtesy-the-gallery.jpeg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;All Mine, You Have to Be&lt;/i&gt;, Rhea In and Kelsey Tynik, 2019. Image courtesy of Tutu Gallery&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/U2460254459336711108556967218716/72x72.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2679805849585546384402263936540/Weixin-Image_20251204095405_20_945.jpg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Doki Doki Tutu’s Delivery Service!!&lt;/i&gt;, Yizhi Liu &amp;#x26; Amos Kang, 2025. Image courtesy of Tutu Gallery</image:caption>
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        </url>
            <url>
                        <loc>https://countercurrentmag.com/vernacular-institute</loc>
            
            
            <lastmod>2026-03-27T03:05:54+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2460254459336711108556967218716/72x72.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2651819628389881259394202963484/5.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;&lt;i&gt;Moon Salt&lt;/i&gt;, 2022. A three-day workshop and live exhibition speculating on Lunarpunk futures through myth-making, kinship, and reimagined worlds beyond the Anthropocene. In collaboration with Moss Piglets, Taipei&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2651819628408328003467912515100/6.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;A curatorial map of &lt;i&gt;Vernacular’s wor(l)d&lt;/i&gt;: curating between breath, body, and everyday space.&lt;br /&gt;
&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2651819628482114979762750721564/10.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Cómo están de ausentes las cosas queridas [How Dear Things Are Absent]&lt;/i&gt;, 2022. An exhibition by artist duo Working Hard investigating the fading traces of &lt;i&gt;cafés de chinos&lt;/i&gt; (Chinese cafés) in Mexico</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2651819628463668235689041169948/9.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;OPEN HOUSE event, Passepartout Duo concert, 2022&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2651819628371434515320493411868/4.jpg</image:loc>
                                            <image:caption>Amplio Espectro, &lt;i&gt;Broken Air&lt;/i&gt;, site-specific choreographic essay, 2021. Installation View, &lt;i&gt;A Circus of the Soul&lt;/i&gt;, 2021</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2651819628352987771246783860252/3.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Memory War&lt;/i&gt;, 2022. A film screening exploring the power and peril of remembrance in the context of Russia’s invasion of Ukraine. In collaboration with Marathon Screenings, Los Angeles</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2651828634311698973281816514076/1.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Where Vernacular is rooted—beneath the tree on Sabino Street, in the neighborhood of Santa María la Ribera, Mexico City&lt;/span&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://countercurrentmag.com/monokino</loc>
            
            
            <lastmod>2026-03-27T03:05:55+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2460254459336711108556967218716/72x72.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2651892940473196664021970161180/Simon-Starling_autoxylo.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Autoxylopyrocycloboros&lt;/i&gt;, 2006. Image courtesy of Simon Starling</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2651892940325622711432293748252/DSC05191.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Shhh&lt;/i&gt;, 2022. Photo by Barbara Jarque</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2651892940307175967358584196636/DSC05106.jpg</image:loc>
                                            <image:caption>&lt;i&gt;The Social Life of Film&lt;/i&gt;, 2024. Photo by Barbara Jarque&lt;br /&gt;&lt;span class=&quot;body-text&quot;&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2651892940344069455506003299868/DSC07635.jpg</image:loc>
                                            <image:caption>Screening of &lt;i&gt;Blue&lt;/i&gt;, 2019. Photo by Eva Claus</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2651892940436303175874551057948/Monokino-2025-Project94-Eva-Swennen-36.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Shhh&lt;/i&gt;, 2025. Photo by Eva Swennen&lt;br /&gt;&lt;span class=&quot;body-text&quot;&gt;
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&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2651892940454749919948260609564/Monokino-2025-Project94-Eva-Swennen-60.JPG</image:loc>
                                            <image:caption>Screening of &lt;i&gt;Blue&lt;/i&gt;, 2019. Photo by Eva Claus</image:caption>
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                                            <image:caption>&lt;i&gt;Shhh&lt;/i&gt;, 2025. Photo by Eva Swennen</image:caption>
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        </url>
            <url>
                        <loc>https://countercurrentmag.com/institute-of-critical-zoologists</loc>
            
            
            <lastmod>2025-11-30T22:27:29+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2373318134883570251907134230044/250102_sketch-46.png</image:loc>
                                            <image:caption>Robert Zhao Renhui, &lt;i&gt;A Monument to Thresholds&lt;/i&gt;, 2020&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2460254459336711108556967218716/72x72.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2652178910606690512282029755932/04b.jpg</image:loc>
                                            <image:caption>Robert Zhao Renhui, &lt;i&gt;A Guide to the Flora and Fauna of the World&lt;/i&gt;, 2013&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2652178910735817720797996617244/nf2_03.jpg</image:loc>
                                            <image:caption>Robert Zhao Renhui, &lt;i&gt;New Worlds, New Forest 2&lt;/i&gt;, 2022&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2652178910772711208945415720476/svot2.jpg</image:loc>
                                            <image:caption>Robert Zhao Renhui, &lt;i&gt;Singapore, very old tree&lt;/i&gt;, 2019&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2652178910717370976724287065628/newforest.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/B2652178910662030744503158410780/letter.jpg</image:loc>
                                            <image:caption>Letter 89 with photographs, Dr. Yong Ding Li, 12th December 2007, Institute of Critical Zoologists&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2652178910791157953019125272092/tree02.jpg</image:loc>
                                            <image:caption>In 2014, Robert spent a few nights under one of the Banyan trees at the back of The Substation for a project&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/B2652178910532903535987191549468/_MG_6291a.jpg</image:loc>
                                            <image:caption>Robert Zhao Renhui, &lt;i&gt;A Monument to Thresholds&lt;/i&gt;, 2020&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2662849812135579194487019507228/splash.jpg</image:loc>
                                            <image:caption>ICZ’s welcome page&lt;br /&gt;&lt;span class=&quot;body-text&quot;&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2662859011268594336408476683804/ICZMCFORPRINTNWE01_edit.jpg</image:loc>
                                            <image:caption>ICZMC/106, the ICZ collection
</image:caption>
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        </url>
            <url>
                        <loc>https://countercurrentmag.com/lava</loc>
            
            
            <lastmod>2026-03-27T03:05:55+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2733707252389442104636521942556/Mineralia-indisciplinada_Lava1.jpg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Mineralia indisciplinada&lt;/i&gt;, Museo Universitario del Chopo, 2025–26. Image courtesy of Museo Universitario del Chopo&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2733707494945679929843416141340/La-Nao---febrero-2025_048.jpg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Corteza Líquida&lt;/i&gt;, laNao Galería, 2025. Image courtesy of LAVA&lt;br /&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2733717319902934516435121442332/_MG_1739.jpg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Sangre y Savia&lt;/i&gt;, Studio Croma, 2023. Image courtesy of LAVA&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/F2733719002633375664294129405468/TP_01.jpg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Tiempos Pendulares&lt;/i&gt;, Islera, 2024. Image courtesy of LAVA&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2734082827545380508896137154076/guadalajara90210xLAVA_YLEG_19.jpg</image:loc>
                                            <image:caption>Installation view, &lt;i&gt;Y las entrañas gritaron…&lt;/i&gt;, guadalajara90210, 2025. Image courtesy of guadalajara90210 and LAVA. Photo by Ruben Garay&lt;br /&gt;&lt;span class=&quot;body-text&quot;&gt;
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&lt;/span&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://countercurrentmag.com/thecube</loc>
            
            
            <lastmod>2026-03-29T21:02:36+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2859409133181257359838295723548/Copy-of-2026.jpeg</image:loc>
                                            <image:caption>Exterior of TheCube Project Space, 2026. Image courtesy of TheCube Project Space&lt;br /&gt;
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2859409133089023639469747965468/Copy-of-2013Seventeen-Years-of-Cultural-Intervention--An-Exhibition-on-Black-Hand-Nakasi-Workers-Band.jpg</image:loc>
                                            <image:caption>Exhibition View, &lt;i&gt;17 Years of Cultural-Intervention: An Exhibition of Black Hand Nakasi Workers’ Band&lt;/i&gt;, 2013. Image courtesy of TheCube Project Space&lt;br /&gt;
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                                            <image:caption>Gongguan Night Market surrounding TheCube Project Space. Image courtesy of Yihsuan Chiu&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/B2859409133070576895396038413852/Copy-of-2010.JPG</image:loc>
                                            <image:caption>Exterior of TheCube Project Space, 2010. Image courtesy of TheCube Project Space&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/X2859409133144363871690876620316/Copy-of-2020-MOCA_Chen-You-Wei.jpg</image:loc>
                                            <image:caption>Exhibition view, &lt;i&gt;Sound Meridians&lt;/i&gt;, MOCA Taipei, 2020. Image courtesy of TheCube Project Space. Photo by Chen You-Wei&lt;br /&gt;
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                                            <image:caption>Lim Giong DJing on the balcony of TheCube. Image courtesy of TheCube Project Space&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/F2859409133107470383543457517084/Copy-of-2014.jpg</image:loc>
                                            <image:caption>Exhibition view, &lt;i&gt;ALTERing NATIVism&lt;/i&gt;, MoNTUE, 2014. Image courtesy of TheCube Project Space&lt;br /&gt;
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            <url>
                        <loc>https://countercurrentmag.com/compound-house</loc>
            
            
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                                            <image:caption>Hotel Archive intervention at Avenida Hotel, Accra, Ghana, September 2025. Image courtesy of Compound House</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2859523098660331007418653052444/Installation-view--Kumasi--Issahs-KUM-ASE.jpg</image:loc>
                                            <image:caption>Installation view from its Kumasi location, Hassan Issah, &lt;i&gt;KUM ASE: A Field Filled with Golden Spikes&lt;/i&gt;, curated by Tracy Naa Koshie Thompson, Ghana, April 2023. Image courtesy of Compound House</image:caption>
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                                            <image:caption>Installation view, &lt;i&gt;A Mirror on Itself&lt;/i&gt;, curated by Nuna Adisenu-Doe and Caleb Nii Asiamah Kwartey Quartey, Accra, Ghana, December 2025. Image courtesy of Compound House&lt;br /&gt;
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                                            <image:caption>Installation view, Samuel Baah Kortey, &lt;i&gt;CHRIS-SIS: Feast of the Sacred Heart&lt;/i&gt;, curated by Tracy Naa Koshie Thompson, Accra, Ghana, June 2022. Image courtesy of Compound House&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/H2859523098678777751492362604060/Installation-view--Tamale--Issahs-KUM-ASE.jpg</image:loc>
                                            <image:caption>Installation view from its Tamale location, Hassan Issah, &lt;i&gt;KUM ASE: A Field Filled with Golden Spikes&lt;/i&gt;, curated by Tracy Naa Koshie Thompson, Ghana, April 2023. Image courtesy of Compound House&lt;br /&gt;
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                        <loc>https://countercurrentmag.com/events</loc>
            
            
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            <url>
                        <loc>https://countercurrentmag.com/about</loc>
            
            
            <lastmod>2026-03-27T03:00:40+00:00</lastmod>
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